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VERNET, Claude-Joseph
French Painter, 1714-1789 Painter. Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.

 

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VERNET, Claude-Joseph View of Naples uit oil painting

Painting ID::  9605

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VERNET, Claude-Joseph
View of Naples uit
1748 Oil on canvas, 100 x 198 cm Mus??e du Louvre, Paris
   
   
     

 

 

VERNET, Claude-Joseph Shepherd in the Alps  we r oil painting

Painting ID::  9606

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VERNET, Claude-Joseph
Shepherd in the Alps we r
Oil on canvas Mus??e des Beaux-Arts, Tours
   
   
     

 

 

VERNET, Claude-Joseph Shipwreck  wr oil painting

Painting ID::  9607

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VERNET, Claude-Joseph
Shipwreck wr
1759 Oil on canvas, 96 x 134,5 cm Groeninge Museum, Bruges
   
   
     

 

 

VERNET, Claude-Joseph The Town and Harbour of Toulon aer oil painting

Painting ID::  9608

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VERNET, Claude-Joseph
The Town and Harbour of Toulon aer
1756 Oil on canvas, 165 x 263 cm Mus??e du Louvre, Paris
   
   
     

 

 

VERNET, Claude-Joseph View of Naples with Nt.Vesuvius (mk05) oil painting

Painting ID::  20722

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VERNET, Claude-Joseph
View of Naples with Nt.Vesuvius (mk05)
Canvas,39 3/4 x 77''(99 x 197 cm)Acquired by the Louvre in 1976 R.F
   
   
     

 

 

VERNET, Claude-Joseph View of the Gulf of Naples (mk05) oil painting

Painting ID::  20724

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VERNET, Claude-Joseph
View of the Gulf of Naples (mk05)
1748 Canvas,39 x 77 1/4''(100 x 198 cm)Formerly in the Pereire Collection R.F
   
   
     

 

 

VERNET, Claude-Joseph Storm with a Shipwreck oil painting

Painting ID::  32723

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VERNET, Claude-Joseph
Storm with a Shipwreck
1754 Oil on canvas, 87 x 137 cm
   
   
     

 

 

VERNET, Claude-Joseph Morning oil painting

Painting ID::  40573

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VERNET, Claude-Joseph
Morning
mk156 1760 Oil on canvas 65.5x98.5cm
   
   
     

 

 

VERNET, Claude-Joseph The City and Harbour of Toulon oil painting

Painting ID::  40574

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VERNET, Claude-Joseph
The City and Harbour of Toulon
mk156 1756 Oil on canvas 165x263cm
   
   
     

 

 

VERNET, Claude-Joseph A Seashore oil painting

Painting ID::  44013

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VERNET, Claude-Joseph
A Seashore
1776 Oil on copper, 62 x 85 cm
   
   
     

 

 

VERNET, Claude-Joseph Shipwreck oil painting

Painting ID::  51092

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VERNET, Claude-Joseph
Shipwreck
1759 Oil on canvas, 96 x 134,5 cm
   
   
     

 

 

VERNET, Claude-Joseph The Artist's Studio oil painting

Painting ID::  62553

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VERNET, Claude-Joseph
The Artist's Studio
52 x 64 cm Private collection The picture shows the artist's as a crowded and social space, where work was more likely to be interrupted by loungers and visitors, fencing matches and dog fights, than by melancholy soul-searching. Yet in fact this is an image of frustration. The fall of Napoleon had left the once-fashionable Vernet bereft of subjects and patrons, and his political views had excluded him from the Paris Salon of 1821. He had been obliged to show in this very studio, including his picture of it as an ironic symbol of the impasse to which he had been brought. Author: VERNET, Horace Title: The Artist's Studio Form: painting , 1801-1850 , French , interior
   
   
     

 

 

VERNET, Claude-Joseph Belisarius oil painting

Painting ID::  62554

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VERNET, Claude-Joseph
Belisarius
1776 Oil on canvas, 98 x 129 cm Mus?e Fabre, Montpellier The theme of Belisarius was much in vogue from the 1770s, and in addition to Jacques-Louis David, rival artists of David's own generation, such as Pierre Peyron and Fran?ois-Andr?Vincent, had painted their own versions of the subject. Vincent's Belisarius is reduced to begging, and receives the charity from a soldier in Justinian's army. Here there is no sense of recognition, the blind former general is oblivious to the identity of his benefactor. Vincent also took the unorthodox step of creating a group of half-length figures, an unusual device in France at this time. Author: VINCENT, Fran?ois-Andr? Title: Belisarius Form: painting , 1751-1800 , French , historical
   
   
     

 

 

VERNET, Claude-Joseph Storm with a Shipwreck oil painting

Painting ID::  77034

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VERNET, Claude-Joseph
Storm with a Shipwreck
1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London cyf
   
   
     

 

 

VERNET, Claude-Joseph La tour Apigne a Rennes oil painting

Painting ID::  97798

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VERNET, Claude-Joseph
La tour Apigne a Rennes
1836(1836) Medium oil on canvas Dimensions 31.5 x 38 cm cyf
   
   
     

 

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VERNET, Claude-Joseph
French Painter, 1714-1789 Painter. Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.